O’Brien and Vonnegut have a lot of similarities in their narrative
structures. They both have the tendency to repeat the events that happened in
their past. Those events are like the ghosts of the past that keep haunting and
taunting them. Both O’Brien and Vonnegut seem to use meta-fiction technique (i.e.,
uses self-reference to comment on the story while telling it) to tell their
stories. Their stories do not follow a linear timeline. They are just like
their memories—all fragmented. They only remember bits and pieces at a time.
When they consciously try to sit down and remember what happened, nothing comes
to mind. However, those recollections just come up when they least expect. Another
similarity that O’Brien and Vonnegut shares is that they make the readers
question their credibility by saying that their stories might or might not be
true at all. This is a very unusual approach. Usually authors want readers to believe in what they
write. I have never read anything like these two stories before. The stories
they tell also hint that they might have experienced PTSD. O’Brien saw Lemon’s
gruesome death. Billy was terrified when his father tried to teach him how to
swim by throwing him into the pool. That might affect how Billy turns out as a
young adult. To others, Billy is that weird kid who cannot help himself. At old
age, Billy often cries at night. It might be because of what he saw during the
war that keeps him up at night. At the beginning of Slaughterhouse-Five, the narrator—which could be Vonnegut himself—tells
us that he often gets drunk at nights and starts calling people from his past. Flashbacks,
memory lost, persistent re-experiencing, sleeplessness are all the symptoms of
PTSD. Both of these stories show that one’s past bad experience, especially the
traumatic ones, negatively affects how a person turns out and how he chooses to
perceive the world around him.
I liked how you connected several of the past experiences of Vonnegut and O'Brien to their own symptoms of PTSD as the portray it in their respective stories. I think it's important to note that their fragmented memories may have made-up stories within them. The fact that the credibility of both stories, as you said, is up in the air shows a lot about the effects of war upon their psyches. The stories they tell, and later repeat, whether they be true or untrue, are constantly being reworked and reworded, showing that both authors, just like the readers, do not really understand what is happening to them.
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